Think big, dream wide!

If you are inspired by the Wide Open Sky film, please consider a donation to help us to continue to support fabulous children like those in the film. We rely on private donations, and some government support to continue and your donation will really make a difference.

Moorambilla Voices is continuing each year – just like in the film. This year in March our Artistic Director Michelle Leonard travelled across the region to deliver music and rhythm workshops in schools to over 2,000 children.

The towns participating in the 2016 program included: Dubbo, Narromine, Wellington, Gilgandra, Coonamble, Quambone, Gulargambone, Carinda, Walgett, Lightning Ridge, Goodooga, Collarenebri, Brewarrina, Bourke, Louth, Enngonia, Wanaaring, Cobar, Nyngan, Giralambone, Warren, Trangie, Coonabarabran, Binnaway, Pilliga, Gwabegar, Baradine, Dunedoo, Mendooran, Coolah, Guerie.


Tour Map and Dates

Moorambilla Voices 2016 Skills Workshop Tour

All the workshops were “open door” – we welcomed all primary and high school students who are at school, as well as teachers, educators and community members.

On the first week of the tour, Australia’s premiere vocal ensemble
The Song Company
 came with us as well!

Coonamble Public

What happened at the workshops?
The FREE Skills Development Workshops throughout the region are designed to inspire and motivate young people to explore music through innovative new approaches. The program encourages the development of music literacy. Students are challenged and encouraged to develop their knowledge in sol-fa, notational skills and part-singing, along with body percussion based on the Keith Terry (US leader in body percussion pedagogy) model, focusing on complex polyrhythmic structures.

By the end of the sessions students are empowered to sing simple melodies in small groups or as soloists and perform multi-layered rhythmic motifs that accompany the songs.


Click here to download or view the full program:
Moorambilla Skills Tour Schedule 2016

64 Moorambilla Concert 19 Sep 2015

For more information contact Moorambilla Voices General Manager Dayle Murray, or call: 0418 228 047.





Opportunity Knocks – Iyasa!

MAXed OUT Company is back in rehearsal on Dhinawan, the MAXed OUT segment of this year’s Gala Concert.  Very, very few high schools offer music to HSC level in this region – with ensemble experience rare and opportunities to perform few.


Some of the teenagers have been practicing their contemporary and taiko choreography at home, calling out Iyasa! as they do. Some have memorized their music, some have been in school musicals, some have had support at home, some have not. One thing is clear in Baradine Memorial Hall – all of the 51 teenagers are excited to be back, seeing friends they only see twice a year, and working hard together for the highest standard of performance they can deliver.

MAXed OUT signs in with Camp Manager Dot Thompson and Moorambilla Mum Dianne Holz

MAXed OUT signs in with Camp Manager Dot Thompson and Moorambilla Mum Dianne Holz



Coonabarabran High School produces a musical every two years. Annabel Park had a few parts in the show this year and has been hard at work at home memorising Andrew Batt-Rawden’s piece Earth, Sky, Bird written especially for MAXed OUT. She’s practised her taiko dance moves too, so she can step up alongside the professional musicians at Moorambilla.

Annabel Park and friends

Annabel Park (second from right) greets her friends in Baradine.

Abigail Irving only has one performance opportunity this year, and “Moorambilla is it for me!” says the Warren Central School student. “I’m so looking forward to the Gala Concert. I love Moorambilla Voices because it gives me this chance to perform – it’s why I’ve done it for two years.”

Abigail Irving: "this is my only performance opportunity."

Abigail Irving: “this is my only performance opportunity.”

Working alongside professionals who are at the top of their field, and Australian composers writing world premieres for the Company, fires up the young performers. Nathan Lenord from Lightning Ridge Central School is happy to be back, and while he sang in his school musical about opals last week, he loves working with professionals like Artistic Director Michelle Leonard and the TaikOz percussionists.

Ryuji Hameda from TaikOz rehearses the fan dance with MAXed OUT. Working with professionals is a hallmark of Moorambilla.

Ryuji Hameda from TaikOz rehearses the fan dance with MAXed OUT. Working with professionals is a hallmark of Moorambilla.

Hayden Priest from Gilgandra High School and Katie Colwell from Coonamble High have also been practising every day at home. Anton Lock from TaikOz gave the children stretching exercises, to maintain upper body strength for their impressive Japanese fan dance, as well as many rhythmic and vocal exercises to practice. “I’m so looking forward to our Moorambilla concert,” says Hayden. “I love Moorambilla.”

Hayden Priest and Katie Colwell take a break in rehearsal

Hayden Priest and Katie Colwell take a break in rehearsal

Learning their music in the break is paying off. “The Gala Concert is going to be amazing,” says Katie. “I know we’re going to nail it.”


Text and photography: Lliane Clarke

Composer on Tap!

Young composer Alice Chance is writing music for this year’s Moorambilla Voices Gala Concert. The composer in residence describes herself as composer on tap! “It’s because I work with the children during the day, then overnight I write music for them to sing the very next morning.”


“This year I’m really excited to be working across so many art forms – dance, stories, music, visual arts and instrumentation – to create music for the theme of Pallah-Pallah and the Opals [for the story see here].






“The piece begins subtly and atmospherically – building it up in layers like the colours of an opal. The final movement will have a massive overarching pattern on the top of it – somehow musically I wanted to reflect the way that opals generate their own light [for the story about the inner light of opals see here].





Alice loves writing music for Moorambilla Voices boys. “These boys are such a special bunch of singers – they have a dichotomy where they sound beautiful, pure and angelic – typical of a boy’s treble choir – then they produce this rugged, powerful and tough sound. At the click of a finger they can change and I try and bring that out in my pieces.”

“The compositions process at Moorambilla is a pretty unique one,” she says. “Basically it’s all very quick – you have to arrive and be on your toes and be ready to write something at a moment’s notice. I love it – I love being under pressure and knowing that in the morning there is a choir waiting for me and they want to sing something – so I better get it done! I have a great time – but you really have to be on your toes!”

Alice, Michelle, Ben and Jacob work out boys pieces

Creative team Alice Chance, Ben Burton, Michelle Leonard and Jacob Williams work out the structure of the pieces

Jacob Williams from Queensland Ballet’s EdSquad, saw how much capacity the Voices girls had for dance and decided to create a much longer dance movement for them. “That meant we needed something constant musically for them,” explains Alice. “Something that would be the same every time – so that the girls could use the musical cues for the dance movement,” explains Alice. “We had one night to create it – the only way was to stay up till about 1.30am and write it!”

“I have been lucky to be able to work with Jacob,” says Alice. “We are on the same piece of paper and he has a wonderful sense of the feeling of each section – we spoke a common language. He explained to me which segment had to be flowing, or which had to be more funky, or which was overarching and beautiful – so I could give a musical cue for each count of eight.”


Working across mediums – Alice Chance with (from left) Ben Burton, artist Frank Wright, textile designer Fiona Fagan, Michelle Leonard, QB EdSquad’s Jacob Williams.


Artistic Director Michelle Leonard expanded the dance potential of the primary school children this year. “This year girls are doing so much more than just standing and singing. I’m excited to see that when we link Alice’s choral music through movement, we create a wider opportunity for story telling. It reflects the performance of our older MAXed OUT Company, who have been incorporating movement and percussion in their performance for some time now.”

“What I liked about Alice and Jacob’s collaboration is that they both helped the girls understand dance through the musical structure – using the music they had been singing in a different way to enhance the cues for the dance. Alice adapted the music from a 12/8 feel to a 4/4 feel, and so for Jacob, the beat was subdivided from three and then into two , which the girls quickly picked up.”

“The dance movement is a clever and stunning end to the Pallah-Pallah segment, and I love it so much that we are going to open this year’s concert with it!”


Tickets for Moorambilla Gala Concert On Sale Here

Alice’s music for the Moorambilla Gala Concert 2014 is created for voice, piano, violin and saxophone – the two Moorambilla Voices choirs, adult vocal sextet Song Company and Ben Burton on piano, SSO Concertmaster Kirsten Williams on violin and saxophonist Christina Leonard.

Alice Chance has been a composer in residence at Moorambilla for two years and is currently in her third year of a Bachelor of Music Composition at the Sydney Conservatorium of Music, where she was recently awarded the 2012 Ignaz Friedman Memorial Prize for academic merit in Composition. Alice’s work has been commissioned and performed by ensembles such as Sydney Youth Orchestras, the Australian Youth Choir, the Leichhardt Espresso Chorus, The Sydney Conservatorium Early Music Ensemble, Waverley College Junior School, Maribella Womens A Capella and the MLC School Chamber Choir on their tour of the USA.






Artistic collaboration is one of the hallmarks of Moorambilla. This year Queensland Ballet Education Coordinator Jacob Williams joins the residential camps.

Queensland Ballet's Jacob Williams with Moorambilla Voices Artistic Director Michelle Leonard

Queensland Ballet’s Jacob Williams with Moorambilla Voices Artistic Director Michelle Leonard.

Jacob Williams grew up in the North West town of Dubbo, and from an early age watched his sisters go off to dance classes at the Dubbo Ballet Studio.


From age 10 he wanted to dance too! So off he went to classes. Jacob began with tap, and his love of dance lead him to take classes in jazz, classical ballet, lyrical and contemporary dance. He continued dance training at Queensland University of Technology (QUT), completing a Bachelor of Dance Performance.

Jacob 1

Immersed in contemporary dance, Jacob learnt the value of dance education, using it as a tool to inspire young children and help them connect with their bodies. Now a teacher/coordinator with QB’s EdSquad, Jacob is collaborating with Moorambilla Voices to help the children understand their body, providing them with another way to express themselves. He began this week with the Moorambilla boys.

Jacob discusses the dance moves with Moorambilla boys.

Jacob discusses the dance moves with Moorambilla boys.

“The boys began their dance and movement workshops tentatively, holding tension in their body. After only half an hour, they were consuming the space with their movement, allowing their body to relax into each movement. I’ve focused my workshops on swinging exercises to help them release their tension in their torso and limbs.”

Jacob workshop

Jacob 2 Jacob 3

Most of the boys have never worked with a professional dancer before, and they are absorbed by Jacob and his accessible creative process. Seven Moorambilla boys, who were showing potential, were chosen to attend an extension dance workshop early in the morning.

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This workshop provided them an opportunity to further their understanding of movement and dance, but also provided them an opportunity to choreograph their own movement. This movement was then taught to rest of the Moorambilla boys, allowing them to take ownership over the piece.

MV Boys Dancing 2 MV Boys routine MV boys Dancing

Over only three days, the music and movement was created for the piece about the Pallah-Pallah story [see for the full story].

“It’s wonderful having a composer on site and on tap!,” says Jacob. “I have never had the opportunity to work in such a collaborative environment before and having Alice Chance writing music while we develop the piece is a delight and a rich source for inspiration. I am very fortunate to be involved in this project. I am quite sure that this experience has allowed me learn more than the Moorambilla boys.”

Moorambilla camp artists Ben Burton, Michelle Leonard, Alice Chance and Jacob Williams.

Moorambilla camp artists Ben Burton, Michelle Leonard, Alice Chance and Jacob Williams.

“I find this project incredibly interesting. Not only does performance emerge as a product of the collaborative process, but the process itself is also emerging. I can’t wait to see it all come together for the Gala Concert in Coonamble in September.”


Fan-forced Creativity!

Making fans, writing music, dancing to Indigenous stories about Pallah-Pallah – another creative day at Moorambilla Voices boys camp!

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5. William Eather shot_3154

William Eather from Wellington and his drawing (above)

William Eather and Arthur ‘Arty’ Taylor from Wellington near Dubbo, and Callum Robinson from Bourke, had never heard of the Pallah-Pallah Indigenous story before, but they’d heard other Indigenous stories. Arty knew the story of “how the kangaroo got his tail, how the hills are made and how the birds got their colours”. Callum knew the story of “how the brolga got his long neck”.

William says he was “inspired to draw Pallah because of the way she turned from light colours to plain white and black. I put her in the middle of the page, and then drew strong lines to show aspects of her story.”

Arthur 'Arty' Taylor from Wellington shows his drawing of Pallah-Pallah

Arthur ‘Arty’ Taylor from Wellington shows his drawing of Pallah-Pallah.

Arty Taylor likes the way “the Pallah-Pallah story is scarey – she got really scared on the top of that snowy mountain.” Arty loves painting and drawing and wrote a rhyme about the butterfly for Alice to consider putting to music:

“Whoosh goes the sound of the wind it is strong
The wind is so strong that if you feel it, it won’t be for long
Crack that is the sound of Pallah’s skin cracking
Poor Pallah her back has been wacking against the wind all day.”

4. Callum Robinson drawing

Callum Robinson lives on “Dunsandle”, a property 165 kilometers north east of Bourke and goes to school via the School of Distance Education, Bourke. Callum likes “how Pallah-Pallah disobeyed the rule and did her own thing, and then she had to face consequences.”

Callum Robinson from Bourke, and composer Alice Chance

Callum Robinson from Bourke, and composer Alice Chance

This was last night’s homework for Moorambilla boys – to read to each other the story of Pallah-Pallah and create text and drawings inspired by her story. The boys brought their drawings to composer Alice Chance to draw on for her ideas in writing music that they could learn and sing. Today’s mission – to help Alice create their work for performance in September – and by the end of the day we had an incredibly successful work written – almost learnt – WOW! Alice worked with Artistic Director Michelle Leonard to help the boys read music and learn how the piece was constructed.

10. MV Boys day on 11 11. MV Boys day one 5

7. MV Boys day on 6 8. MV Boys day on 7


9. MV Boys day on 8

The boys then created folded paper fans, working with textile artist Fiona Fagan, and created dance moves with Queensland Ballet’s Jacob Williams. The fans reflect the wings of the butterfly, and are made in an origami style of paper making. The children learn that patience and creativity go hand in hand!

16a. William Eather fan making 16. Making fans hero 15. Making fans 8 14. Making fans 7

In the dance segment, the children built a three-stage piece of movement that reflects the story of the butterfly on the mountain – the flight, the mountain and the snow storm. Jacob asked the boys to use plastic bags thrown in the air to signify the snow.

18. Jacob bahs 2

17. acob bags 1

Another Moorambilla day of creative education, inspiring the boys to explore their own expression in quality, sequential learning in partnership with professional ensembles skilled in working with young people.

All these activities fulfill – indeed exceed – the NSW Creative Arts K- 6 Syllabus for Student Outcomes. It’s clear that the program builds self-confidence and self-efficacy and assists these students to become resilient, prepared to keep trying to get something right and ready for performance, or for their own creative endeavours.

6. Alice, Michelle and Ben work out boys pieces

Alice Chance, accompanist Ben Burton and Artistic Director Michelle Leonard working out the structure of the performance


This is the story of Pallah-Pallah (Balla-Ballaa) from Aunty June Barker, a Yorta Yorta woman from Cummagunya, and the story of How the Opal Came to Be, from Aunty Rose Fernando, a Kamilaroi (Gamilaroi) and Yuwaalaaray (Euahlayi) woman.

A long time ago in the dreamtimes, one of the most beautiful of all creatures was Pallah-Pallah, the butterfly, with beautiful, dazzling, multi-coloured wings. She lived happily with her family near the reeds of the Coocoran Lake. She would often wander about the high mountains they could see a long way away which were covered in white. The white on the tops of the mountains would shine when the sun shone on them. Her husband, who was named Balla-Ballaa, often told her not to leave the safety of the grasses and reeds that grew around their home on the beautiful clear water lake. But one day when her husband was out fishing, Pallah-Pallah thought she would go and have a quick look at the white on the mountains. When she flew up high, everyone looked at her beautiful coloured wings and said “she looks like a rainbow”. Pallah-Pallah flew higher and higher, and she could see the mountains covered in white. She was excited and said, “I will go right up there and see this white for myself, then I will return and tell my husband.” As she reached the top of the mountains snow began to fall. Snow beat down on the frail and weak Pallah-Pallah. She fell to the ground and was completely covered by snow. She was so exhausted she lay quiet and went to sleep while the snow fell and buried her. She slept for a long time.

She didn’t die. When she awoke, the snow was melting and as the snow melted away, so did Pallah-Pallah’s beautiful colours. The colours just disappeared, melting into the snow. As the snow melted down the mountain and across the plains, the colours ran with them to disappear into the ground near the lakes and ridges. Pallah-Pallah looked at her wings and they were no longer beautiful. She returned to her husband and family and everyone was sad to see she was no longer a beautiful butterfly, but a plain moth, just grey and brown. The beautiful colours that disappeared from her wings and went into the ground at the Morillah-stone ridges and lakes form the colours of the rainbow on the dazzling opal stones.This is how the old people told us the opal came to be.

Coocoran Lake is in Lightning Ridge and the high mountains are the Warrumbungle Mountains.


Baradine: Small Town, Big Heart

Zac Broughton, Braiden Jones, Riley Porter and dad Ben Broughton drive from Cobar to Baradine.

Ben Broughton drives from Cobar to deliver Zac Broughton, Braiden Jones and Riley Porter to Moorambilla in Baradine.



The small town of Baradine, home to the Pilliga Forest, opened its heart again to the incredibly angelic sound of young boys voices today as Moorambilla regional boys choir took up residence. The boys have a lot of work to do preparing for the Gala Concert in Coonamble in September. 

Camp Cypress is again home for three days to over 50 boys from all over the north west of NSW, from Bourke to Gadooga, Dubbo to Brewarrina, Dunedoo to Grawin – as it has been for the past nine years.

Camp Manager Dot Thompson welcomes the boys.

Camp Manager Dot Thompson welcomes the boys.

For the next three days the boys are going to create magic in the fields of music, dance and visual arts – in ways they have never experienced before! Many of the boys are coming for the first time, but many choose to come back time again for the special Moorambilla experience.

Moorambilla Voices is more than a program about country kids learning about artistic expression, it’s a program that helps them find their voice, their passion and even their path for the future.  Find out more and how you can help make this happen at

2.Baradine hall

The Baradine community has embraced the program ever since it began nine years ago in 2005, when local residents Liz Markey, Justine Lawler and Michelle Leonard from Coonamble started a boys treble choir that would celebrate the incredible creative energy of the north west region. It was a regional first, and has grown from strength to strength.

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Baradine resident and long-time community advocate Nea Worrell – has been a linchpin of the Moorambilla Voices program. Alongside Veronica ‘Ronnie’ Halcomb, Nea provides the essential catering for the children at camp and during rehearsal. She also provides extensive commentary, etiquette, and old fashioned country hospitality.

5. Nea

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Today the boys had their first taste of camp, working Artistic Director Michelle Leonard, composer Alice Chance, accompanist Ben Burton and Queensland Ballet EdSquad dancer Jacob Williams. This year’s theme is Earth and Sky. The boys began to create pieces around the Indigenous legends of Pallah Pallah, the word for butterfly in the Ngemba language, or Balla-Ballaa, in Yuwaalaraay language. This is the story of how the Opal was created from butterfly wings. The boys read the story of Pallah Pallah and thought about how dance creates meaning without language and how to manipulate dance ideas. The children began to explore choreography, even though many of them had not even heard the word before.

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As Jacob starts to unpack how he will work with the festival theme, Indigenous artist Frank Wright and textile artist Fiona Fagan began to sketch out the concert backdrop which focuses on the Emu in the Sky story.

7. Frnak and Fiona

Everyone had an early night ready for tomorrow’s full day!

Text and photography: Lliane Clarke

Donate now! Moorambilla Voices is more than a program about country kids learning about artistic expression, it’s a program that helps them find their voice, their passion and even their path for the future.  Find out more and how you can help make this happen at



MAXed OUT Performs at National Male Voice Festival in Brisbane


Pemulwuy finale 2014

MAXed OUT Company on stage at Pemulway!

While Moorambilla Voices children count the days until the August 2014 residential camps in Baradine, Moorambilla Founder and Artistic Director Michelle Leonard and 10 young men from MAXed OUT Company travelled to Brisbane in July to perform in the Pemulwuy! National Male Voice Festival.

The National Male Voice Festival is a huge weekend of talks, rehearsals and performances with leading choral organisations, conductors, composers, artists and singers from around Australia. It’s all about choral music and education, new repertoire and performance, and sharing and exchanging professional experiences.

Michelle was invited to be a Guest Conductor at the festival by Julie Christiansen, the Artistic Director and Founder of Birralee Voices, to work especially with the treble choir.

This was a weekend of firsts for MAXed OUT – it was the first time that the young men had taken part in a choral festival outside of the Moorambilla Festival and the first time many of the young men had travelled outside of their north-west NSW region.


“This Festival is very like Moorambilla, in that it brings young people together to rehearse, learn new music and perform,” says Michelle. “The weekend highlighted to me some of the challenges that we deal with so successfully at Moorambilla. The major difference is that at Moorambilla the children participating have little regular access to music education, they don’t sing together in class every week, and many of them don’t know each other when they arrive in the residential camps. Our kids come from up to 70 schools across the region, from 42 towns.”

“The festival had such a great vibe about it,” says Julie Christiansen. “It was a mixture of guys who just love to sing for fun and those who are studying voice or singing regularly in community and school choirs. In a couple of instances there were families with three generations of men/ boys, which also added a fabulous multigenerational element.”

“The importance of the festival is simply to set communities alight with the joy of singing and to reinforce that it is completely acceptable for guys to sing. It is also a vehicle to feed into the artistic pool of new works, encouraging creativity and storytelling and providing an arena for conductors, composers and arts workers.

“Organising the event is always a challenge when resources are limited,” adds Julie. “But we had a strong volunteer team and some fabulous assistance for the three-month lead time.”

“It was fabulous to give the young men from MAXed OUT Company an opportunity to be involved and we hope that the experience will equip them for their next performance at Moorambilla Festival.”

What was the reason for taking MAXed OUT Company instead of Moorambilla Voices? Moorambilla Voices was invited to participate in the Festival, alongside the many other choirs. But as Michelle was working with the treble voices choir in Brisbane, she wanted to give the older boys a different experience of working with other conductors. So the MAXed OUT members worked with Jakub Martinec, an international conductor from Europe and the USA who was the founding artistic director of the Czech Boys Choir and a PhD candidate University of Western Ontario. They also worked with Australian composer and educator Paul Jarman who wrote the Festival piece – Pemulway.

How did you choose which young men could get this amazing opportunity? “I wanted to bring ten young men who could represent all the communities that Moorambilla works with,” says Michelle. “With the exception of Ivan Adams from Coonamble, all of them had participated in the Moorambilla program since they had been in primary school.”

“I tried to pick candidates who would benefit in the long-term. I knew that coming to Brisbane would really boost their experience and confidence so I had to choose those who were keen and who had the right personality take positive risks in a challenging environment. Also, it’s important that they will come back to Moorambilla this year and work with the younger or less experienced singers. They will be able to be in leadership roles.”

“It  was a very different social situation for the MAXed OUT young men. They met and rehearsed with other boys from very different social situations. For example, most of the other boys were from leading private schools in both Queensland and NSW, including the prestigious Knox school. Our boys are all from public state schools.”

“Despite all of these differences, our young men rehearsed and performed brilliantly. This was a direct result of their active participation in the Moorambilla program – they knew how to behave and what to do because we have shown them how to do it.”

Who went to Brisbane? The chosen candidates who accepted the challenge were Riley Fernando, Ivan Adams and Justin Welsh from Coonamble, Jack Ayoub, Dylan and Dom Lugli from Coonabarabran, Nathan Byron from Guerie, Reece Buckton and brother Scott Edwards from Baradine and Hayden Priest from Gilgandra. Shane Rose from Bourke was selected, but in the end unfortunately couldn’t make it.

They were supported by QPAC, and Moorambilla scholarships provided the gap to ensure that they could particularly fully. Justin Welsh travelled with the boys as their youth mentor, assisted by Jack Ayoub and Nathan Byron.

“I’ve always thought that music brings people together but seeing all the people in the choirs from different towns, and some from different states, it was just amazing that people would travel that far for just a few days to sing together,” says Justin. “It was an awesome experience. Good music can bring a couple of people together, but great music can bring hundreds together! It was a great opportunity and I really appreciate being able to join the fun!”


Before and after: Jack Ayoub enjoys some quiet time before the other MAXed OUT young men interupt him!

Before and after: Jack Ayoub enjoys some quiet time before the other MAXed OUT young men interupt him!

What were some of the advantages of going to Brisbane? While Michelle was busy rehearsing the treble choirs at the festival, the MAXed OUT members were looked after on the trip by Moorambilla education advisor Beth Stanley.

“Half of the young men had never been on a plane before, so it was a real eye opener and a special experience for them,” says Beth. “They had to cope with a whole new situation – going through security, getting to their accommodation, dealing with hotels and rehearsal schedules – I certainly think it gave them real confidence that they can function successfully outside of their own communities.”

“They were very excited – all of them were very keen to be picked and all saw it as an opportunity.”

“They responded to the different music that they are downloading onto their iphones! They really liked the Pemulway massed choir song they were given, written by Paul Jarman. They also did some busking on the river when we were on our break – they found a ukulele player and sang some Beatles songs with him! They sounded fantastic!”

“They didn’t stop singing all weekend – they helped each other to learn the new and challenging music that they were given at night in the hotel, and sang whenever we were travelling around Brisbane.”

“How blessed I was to be the one in charge of those magnificent and interesting boys!” says Beth. “Yes there were challenges, but they were such a wonderful group of boys – they taught me a lot and we taught each other a lot.”

What was Michelle doing at the National Male Voice Festival? While the MAXed OUT boys were learning and rehearsing, Michelle was “handed an instrument” of 180 primary aged boys who hadn’t sung together before, although all of them did sing in weekly choirs together.

“I love working with that energy!,” says Michelle. “The boys had an extraordinary sound and concentration. Having done Moorambilla for so long it was great to know how to channel that energy to achieve a great performance outcome.”

Michelle worked with the festival piece by Paul Jarman called Pemulway, a piece that Moorambilla commissioned by Alice Chance called Bonfire Season, a character piece called Captain’s Tale which uses unison and semi chorus and a commissioned work by Andrew Batt-Rowden, commissioned by Birralee Voices.

“Andrew and Alice will also be working with Moorambilla Voices this year, so it was a great chance for me to see how their music would work together,” explains Michelle. “It was also great to hear William Brown’s stunning work called Bellbirds for treble choir, which featured the choir in three parts and a stunning soundscape.”

“Supporting choral music is part of what I do, and who I am as an artist and musician. I am always keen to support events that are developing our unique Australian choral repertoire through recording and workshops . To do that with men and boys of all ages makes this festival a real joy.”

“I was incredibly proud to see our Maxed OUT boys on stage performing in the Festival piece. They were not phased at all by the massive audience of 1,500 people. Performance is a skill that you have to learn how to do, and they boys all showed how their years at Moorambilla have really paid off.”

“We all enjoyed working with Birralee Voices, and the wonderful facilities of QPAC and Brisbane Grammar. We would certainly be honoured to be a part of the National Male Voices Festival again!”

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